follow-on to Ballet Blue
from today's Mark Morford column: "Does your religion dance? Behold, the most dangerous issue facing modern faith: Its inability to evolve, nakedly"
there are important reasons for the Arts.
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It's a topic that jumped up like a stunned ferret from God's own hot plate three separate times recently — indicating, I think, that I'd better pay some sort of attention to it — the topic being the obvious but still desperately under-discussed idea that perhaps the most dangerous problem facing man in this modern age of radical technology and dazzling scientific conundrum and otherworldly raspberry vodka and ever-expanding notions of love and sex and human interconnection is the sad and treacherous fact that, well, religion and belief as we know them in America are, by and large, far too horribly stuck, limited, fixed in time and place and stiff karmic cement.
Put another way: We as a culture just might be suffering a slow, painful death by spiritual stagnation, by ideological stasis, by cosmic rigor mortis. It has become painfully, lethally obvious in the age of George W. Bush and authoritarian groupthink that our major religious systems and foundations don't know how to move. They don't learn, adjust, evolve, see things anew. They don't know how to dance. And what's more, this little problem might just be the death of us all."
there are important reasons for the Arts.
Labels: Dance, George Bush, The Arts
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